Theater Appreciation Research Guide

Critical essays discuss the works of the major dramatists of the Elizabethan age in this comprehensive volume.

This volume examines the development of comedy and tragedy in early Greek drama, with essays that explore the works of many of the original dramatists, including Aristophanes, Sophocles, Aeschylus, and Euripides.

From Arthur Miller to Tony Kushner, this volume chronicles the playwrights and plays that shaped America drama to the present time.

With an introductory chapter discussing the very earliest productions--The Beggar's Opera (1750), The Archers (1796), Tom and Jerry (1823), and The Bohemian Girl (1844)--A Chronology of American Musical Theater offers in-depth coverage of Broadway musicals from 1850-2001. The book's entries span more than 5,000 shows, including not only "book musicals" but also revivals, revues, burlesques, operettas, farce comedies, comic operas, ice skating shows, rock operas, and other musical spectacles that appeared on Broadway stages.

Beginning with the scandalous Astor Place Opera House riot of 1849, Larry Stempel traces the growth of musicals from minstrel shows and burlesques, through the golden age of Show Boat and Oklahoma!, to such groundbreaking works as Company and Rent. Stempel describes the Broadway stage with vivid accounts of the performers drawn to it, and detailed portraits of the creators who wrote the music, lyrics, and stories for its shows, both beloved and less well known.

Learn about the works of William Shakespeare in this overview guide, great for beginners looking to learn and experts wishing to refresh their knowledge alike! The Shakespeare Book brings a fresh and vibrant take on the topic through eye-catching graphics and diagrams to immerse yourself in.

With history, the types of theater, companies and popular plays this is an all-encompassing portrait of theater and why it has been appreciated for thousands of years.

Storytelling in Opera and Musical Theater is the first systematic exploration of how sung forms of drama tell stories. Through examples from opera's origins to contemporary musicals, Nina Penner examines the roles of character-narrators and how they differ from those in literary and cinematic works, how music can orient spectators to characters' points of view, how being privy to characters' inner thoughts and feelings may evoke feelings of sympathy or empathy, and how performers' choices affect not only who is telling the story but what story is being told.

This second edition of Historical Dictionary of African American Theater, Second Edition contains a chronology, an introduction, appendixes, and an extensive bibliography. The dictionary section has over 700 cross-referenced entries on actors, playwrights, plays, musicals, theatres, -directors, and designers. This book is an excellent resource for students, researchers, and anyone wanting to know and more about African American Theater.

A peer-reviewed journal of theatre history and scholarship published annually since 1981 by the Mid-American Theatre Conference. Theatre History Studies is devoted to research in all areas of theatre studies, with special interest in archival research, historical documentation, and historiography.

We present relevant aspects of Binder's approach as precisely as possible, then take Binder's approach for granted to tease out the implications of that approach to the issues of theatre, including nostalgia, intercultural theatre, theatre criticism, dealing with demanding roles, the canon, theatre and philosophy, digital performance, practice as research, and applied theatre.